<< Click to Display Table of Contents >> Navigation:  Viewing and Editing the Music Performance > Viewing and Editing the Performance of Notes > Viewing and Editing the Loudness of Notes > Editing the Loudness of Notes

Sometimes the notation for a song will look great, but on playback it will sound rather mechanical and lack feeling. With Composer, you can easily view and edit the loudness of one or multiple selected notes, to add "feeling" to the performance. Technically, the loudness of a note is its MIDI note-on velocity-- a value that ranges from 1 to 127.
 

NOTE:        In Composer, you can set the velocity of a note to zero (0) so that it will be silent.

 
If you click the Note Velocity tab in the main palette, Composer will display the loudness of each note as a vector, that is, a line pointing about 45 degrees up and to the right from the notehead. The length of the line indicates the loudness of the note. The longer the lines, the louder the notes:

   

The status bar indicates how much the loudness of the notes increases or decreases over the selected range. Also, it reports the "contrast" of the note loudness. The contrast of note loudness is somewhat similar to the contrast of colors on a television. On a television, if the contrast is low, there is less of a difference between light and dark. Similarly, it the contrast of loudness is low, then there is less of a difference between soft and loud notes. If the contrast is high, the notes have a wide variety between soft and loud.

You can also point the mouse (without clicking) at any note to see what its exact loudness is, as illustrated:

   

Composer offers a variety of commands to:

These commands are described below.

Composer offers several types of music symbols that denote the loudness of notes: dynamic marks, crescendo marks, and accents. These music annotations do not, however, affect the as-performed loudness of notes.

Often it is useful to temporarily increase the loudness of notes in a staff while you are editing them. You want to hear these notes more distinctly over notes in other staves. For that purpose, use the Select Staff command. Then use the volume control in the toolbar, or type V+ several times (see Controlling Overall Volume Level).

Composer also lets you edit the graph of a staff's overall volume level. Editing a staff's overall volume level is similar to turning a volume knob on a radio, except it is applied to one instrument (staff) at a time. The distinct loudness of each note is preserved, but the overall volume level of all of the notes is increased or decreased by the staff's volume level. Sometimes you may find that you cannot achieve sufficient contrast between loud and soft sections of a song by editing note loudness. In this case, you should consider editing the staff volume level, rather than individual note loudness, in the soft versus loud sections of the song. For details, see Editing Per-Staff Channel Volume Level.

The remainder of this topic describes procedures for editing the specific loudness of one or more selected notes.

To increase or decrease the loudness of one or more selected notes:

Type SHIFT+V.

Composer will display the Note Velocity Palette:

(a) Click the Increase Loudness or Decrease Loudness button in the Note Velocity Palette.
 

(b) Type L+ or L+ one or more times to increase or decrease the loudness. Or hold down the two keys together for a short time to continually increase or decrease the loudness of the notes. It is much more convenient to use the keyboard shortcuts than the menu commands.
 

-- OR --
 

 

NOTE: The value for note loudness (MIDI velocity) ranges from0 to 127.  

 

To increase the loudness of just melody notes (the highest notes in chords):

    -- OR --

    Select a list of notes by dragging the mouse without holding down the CTRL key.

In the following example, a region is selected for the first two measures of the right hand of the piano arrangement of George Gershwin's Rhapsody in Blue:

   

    Continuing with the above example, the result is:

   

Notice how the loudness vectors for the selected melody notes are now longer, and the average loudness value, reported in the status bar, has increased:

   

To decrease the loudness of non-melody notes:

To add a crescendo or decrescendo over a range of selected notes:

-- OR --

Type L+ (or L+) key one or more times for a crescendo (decrescendo).

-- OR --

Click the Crescendo or Decrescendo button in the Note Velocity Palette.

In applying the crescendo or decrescendo, Composer preserves the relative loudness between notes.

For example, suppose we start with the following selection of notes:

   

The status bar reports a crescendo value of -47. That means that over the range of the selected notes, the loudness of the notes decrease by 47 out of the total of 128 units of loudness. You can visually confirm that there is a decrescendo across the notes by observing that the velocity vectors get shorter across the range.

After first using the Decrease Loudness command some to lower the overall loudness, and then the Crescendo Across Selected Notes command, the notes look like this:

   

The status bar now reports a higher crescendo value of 16, as compared to -47 before. Notice how the loudness vectors, on the average, get slightly longer going from the first measure to the second.

To set the default loudness for newly added notes:

To change the loudness of a selected group of notes to their average loudness:

    -- OR --

    Type "la" for loudness average.

To change loudness of a selected group of notes to some specific value:

-- OR --

Click the Constant Velocity (Loudness) button in the Note Velocity Palette, or type "v". Composer will display a simple dialog box in which you enter the note velocity value for the selected notes.

To increase or decrease the contrast of loudness between two or more selected notes:

-- OR --

Type C+ or C+ key one or more times ("C" suggests "crescendo").

-- OR --

Click the Increase Contrast or Decrease Contrast button in the Note Velocity Palette.

The following example shows the result of increasing the contrast for the notes in the original example. The contrast has been increased from 10 to 24:

   

Notice how the loudness vectors for soft notes are shorter than before, and the loudness vectors for loud notes are longer than before. The contrast between the soft and loud note has increased.