Hello John,

Whoa, that is a massive amount of finger work on the piano! Please tell me that this is for 4-hands 2-pianos, and not one poor sole pianist ;-)

I found some portions of this piece quite compelling, especially the areas where the harmonic motion picked up-- which was all the more convincing because the the expansive harmonically static passages preceding.

The piece felt sort of like Scarlatti had jumped into a time machine to borrow somewhat more complex harmonies and textures that came not long after his time.

Nice work.

Cheers
-- Mark