Hi Sherry.
I've been enjoying this arrangement.
Some (rather random) comments:
- Nice excursions into quartal harmony
- Love the horn treatment, especially their grand entrance at m. 13
- The flute counter-melody at m. 55 puts me more in mind of Keltic influence
- The bohdran part appears to be captured from live playing -- strong dance feel. (Whereas the rest of the parts appear to be entered.) May I ask how it was done?
- Brilliant use of GM Tubular Bells to double GM Open Triangle (I love percussion and am perhaps a bit easily amused in that area.)
- The cue notations give the score parts a "real feel" -- it's been years since I've written for live players!
Thanks for sharing your file.
Ta,
Walt