Re: Composer Capacity
Hi you guys,
The purist in me says use the ahhhhs for the chorus, even if it is a bit more difficult to get the relative volume you want for each part. For the soloists, the Real Voice SF might be worth a try. Generally speaking, the timbre is more Broadway than operatic or pop. Its only real problem is that the G above Middle C needs to have the note velocity way below surrounding notes. This SF, too, takes some work to get the relative volume adjusted. I use it a lot in 'The Search for Nelly Gray,' and it certainly differentiates voice from the orchestra, which may be the best reason for using something sampled from human voices?
best,
mgj
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